Origins

My mom

Elizabeth Solaka was born in the experimental, modernist landscape of Lafayette Park in downtown Detroit, the youngest in a house full of siblings, art, and music. By the time she was five, she roamed the neighborhood alone, eating a full deli breakfast at Zukin’s before walking herself to school, where a running tab was quietly settled between Mr. Zukin and her dad.

She taught herself to swim at the pool on the roof of the parking structure nestled between two Mies van der Rohe towers. She checked out books from a traveling bookmobile called Reading Is Fun. And sometimes, a swimming pool trailer rolled into the neighborhood.

Her mother, a ballerina, transformed our basement into a ballet studio, where a young Romanian teacher, Iacob Lascu, (literally) first found his footing in the United States. He would go on to choreograph for Marygrove College and spend twenty years producing The Nutcracker with the Detroit Symphony Orchestra.

Her mom later ran a thriving New York–style cheesecake and catering business, and eventually owned The Soup Kitchen Saloon, a premier Detroit blues bar. As a pre-teen, Elizabeth would frequent the restaurant. Once, she was invited by the legendary Willie Dixon to come up to the piano and play a duet with him. The crowd danced on tables, her mom included.

Her father, a Chaldean born in Iraq, was an architect before joining his father’s Ye Olde Butcher Shoppe — a New York–style gourmet grocery store filled with premium meats, caviar, and the daily New York Times.

Motown artists like The Spinners and The Temptations often stopped in. Once, The Spinners handed Elizabeth a giant fabric rubber band in honor of their song “Rubber Band Man.” She spent hours sitting on the checkout counter, feet swinging, happily eating King Cones from the freezer while her grandmother, Peaches, knitted small purses in the corner and greeted the regulars. She carried the day’s cash home every evening.

Mom and me

Through a curious system of bartering and trading between her dad, the local jeweler and local music venues’ house manager, she had access to VIP areas for the most iconic concerts of the era. As a child, I saw Madonna, Prince, Michael Jackson, The Cure, Bruce Springsteen, Bob Dylan and others.

She was drawn to acting and directing as a child, but when her older sister decided to pursue acting professionally, she shifted toward visual art. In high school, she won multiple awards in graphic design. At Smith College, she studied Economics with an emphasis in Art History and French.

It wasn’t until after college that she took her first formal photography course, at Boston Architectural College. There, she studied under Todd Gieg.

Once she held her first Hasselblad camera, something shifted.

1990s with the Hasselblad

In the early 2000s, for seven consecutive years, she was the all-access photographer for Detroit’s Comerica Cityfest. She photographed legendary, emerging, and genre-defining artists such as Ray Davies, Mavis Staples, and Buddy Guy.

In the late 90s, she attended a residency at the Cité Internationale des Arts in Paris, and later studied at The New England School of Photography and Oakland Community College under the Rob Kangas.

She has lived in Paris, Berlin, Boston, Northern California, Massachusetts, and Los Angeles — but aside from Detroit, New York has always been her true home and creative anchor. Her work has been featured in The New York Times and Elle Magazine, and I’ve worked with non-profits, startups, fashion brands, musicians, and private clients.